Periods of Transition
Einstein's theory of Relativitiy 1905
PorousPlane painting-drawing
Tatlin's Tower photographed in 1920 made two contra-rotating spirals and conical volume
Freed from description, ie ‘terror’ : the plane of illusion become the ‘vehicle’, literally and materially available, to endlessly form new associations : and the ‘tenor’, to become life itself. as the viewer/subject.
( tenor and vehicle : from C. Cavafy 1863-1933 )
From Cézanne’s wide-stroke-rhythmic to the plane : to Serra’s articulated steel plates , the plane has become the axiomatic ‘given’ for continuing momentum of painting and sculpture
Tatlin succeeded by trial and error(Popperian) to make the first direct non-image construction 1916-17
A4 Marker and coffee sketch after Tatlin
CornerRelief Autochthonous drawing 1.6.23 recto-verso
if you can see it you can be it